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Five-O 概要 タイプ 4ドア・セダン 乗車定員 4 ヤミ改造工場 ○ 購入 不可能 ベース車両 フォード ポリスインターセプター（フォード クラウン・ビクトリア） 解説 SWPD（スティール・ウォーター警察）のパトカー。 スティルウォーター全域でよく見かける。 日本とは違い、アメリカには「交番」がほぼ存在しない為、パトカーが数多くパトロールしている。 Saints Row地区では、アルター警察仕様車が、Nuclear Power Plant地区では、発電所の警備車が出現する。 前作では覆面パトカー仕様の「Interest」が登場していた。 デザイン Taxiとほぼ同じ。リアにはベースモデルの名前であろう「Alex-S」のエンブレムが刻まれている。 SWPD仕様は、いかにもパトカーらしい白黒の2色。実在するパトカーでも、同様のカラーリングがLAPD（ロサンゼルス市警）等で採用されている。 アルター警察仕様車は、黒一色。｢ULTOR｣のロゴが側面に描かれている。 発電所の巡回車は、黒とオレンジ。｢SECURITY｣の文字と発電所のロゴが側面につけられている。 性能 FBI同様に加速性能・最高速度は抜群。 また、耐久性が意外なほど高く、未改造でRPGの直撃に耐えることも。 ミッションやアクティビティなど様々な局面で役に立つ。 その他 SWPD仕様車と発電所の警備車の屋根上には2ケタの番号（00～99）が書かれており、ランダムに変わるようになってる。 屋根上のサイレンは、SWPD仕様・ULTOR仕様・発電所仕様ですべてデザインが異なっている。 仲間の一人のトロイはこれを愛車（アシ？）としており、電話で呼ぶとこれに乗ってやってくる。 アルター警察仕様は、他の仕様と異なるデザインのホイール･ボンネットを装備している。 乗車した時に、ラジオをスティルウォーター警察無線に切り替えると、無線でのやり取りが聞ける。 555-7973に電話すると、SWPD仕様車を配達してもらえる。ただし、乗ってきた警官にちょっかいを出すと悪評度がつくので注意。 Nuclear Power Plantは離島のため巡回警備車は一見入手不可のように思えるが、Rim Jobsに持ち込み修理・改造を行えばガレージへ自動的に納車される。工場に入れた時点ではガレージの保有車リストに現れない為、自宅で要確認。性能の部分の改造をすれば確実に手に入る。 余談だが、車名の「Five-O」は「ポリ公」を意味するスラング。由来は海外ドラマの「HAWAI Five-O」から来ている。 画像 Five-O(SWPD) Five-O(ULTOR) Five-O(SECURITY) 実車 フォード クラウン・ヴィクトリア ポリスインターセプター
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provide 用意する produce 作り出す plenty of たくさんんの Day1 pray 祈る develop 発達させる inform 知らせる complain 不満を言う examine 調査する owe 借りている borrow (物を借りる) lend 貸す lend A B lend B to A regard ～とみなす create 創造する warn 警告する remain そのままにする announce 公表する blame ～を非難する gain 得る add 加える deal 扱う repair 修理する その他 suspiciously 疑わしげに sculpture 彫刻品 Day2 ～かなと思う ～に近づく ～を主張する 悲鳴を上げる ～のように見える ～を許す 紹介する 演じる 持ち上げる 集まる 意味する 予約する 用意する 貸す 推測する 苦しむ その他 engagement 婚約 defeat 敗北 matter 問題 Day3
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【Tags Akuno-P Len Rin tB tD S】 Original Music title 砂漠のBLUEBIRD English music title Desert Blue Bird / Blue Bird of Desert Romaji music title Sabaku no BLUEBIRD Music Lyrics written, Voice edited by mothy \ 悪ノP(Akuno-P) Music arranged by mothy \ 悪ノP(Akuno-P) Main Singer(s) 鏡音レン (Kagamine Len), chorus by 鏡音リン (Rin Kagamine) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： In a world buried in the sands, we are searching for the blue bird. No matter how difficult, as long as I m with you, surely we will overcome any trouble we face. In this world with its civilization destroyed, a granny appeared before my little sister and me, imploring us to seek out the blue bird in order to save this world. It s supposedly a desert blue bird. Suddenly we had been entrusted with the fate of the entire world. Having loaded our car full with hope and faith, we began our journey. The blue bird is a legend, a miracle said to grant all and every wish. After a long journey, we finally discovered the blue bird s whereabouts. With the huge building crumbling onto them, the people were all too scared to set their feet into it. As I was still hesitating about whether to enter, you swiftly ran into it for my sake. Oh sister, you used to always tremble in fear behind me no matter what was happening. But now, with courage gathered in your heart, you are about to enter that building. In a world buried in the sands, you have sought out the blue bird. In my arms, with your eyes shut, you will never wake up again. In this facility plagued with radioactive contamination, what I had lost was way too precious to me, so there I made my wish to the blue bird. As you slowly opened your eyes again, the blue bird disappeared into somewhere else. Ahead of what we had journeyed through, was the boundary line of the world. There, was an ocean, blue and vast... Everything will actually start from here, as we must rebuild this world with our own hands. No matter how difficult, as long as I m with you, surely we will overcome any trouble we face. Desert Blue Bird, it is a miracle. Romaji lyrics (transliterated by animeyay)： Suna no naka umoreta sekai bokura wa sagashite iru n da aoi tori tsurakute mo kimi to issho nara kitto norikoerareru Bunmei no horonda kono sekai bokura kyoudai no mae ni arawareta rouba no tanomi goto sekai o sukuu tame no aoi tori mitsukedashite hoshii Sore wa sabaku no blue bird totsuzen yudanerareta sekai no yukusue kuruma ni kibou o tsumekonde bokutachi no tabi ga hajimatta Aoi tori sore wa densetsu arayuru negai o kanaete kureru kiseki nagai tabi bokura wa mitsuketa aoi tori no ibasho Kuzurekaketa kyodai na tatemono kesshite fumiirete wa ikenai to osorete iru hitobito chucho suru boku no tame ni kimi wa hitori de kakedashita Nanika okireba itsumo boku no senaka de furuete ita kowagari na imouto kokoro ni yuuki o tsumekonde kimi wa tatemono ni haitte ku Suna no naka umoreta sekai kimi wa mitsukedashita n da aoi tori ude no naka me o tojite iru kimi mou mezame suru koto wa nai Kaku de osen sarete ita shisetsu ushinatta mono wa amari ni mo ookii boku wa aoi tori ni negatta Kimi wa futatabi me o samasu aoi tori wa dokoka e kiesatta Kimi to boku aruita sono saki tadoritsuita sekai no hate soko ni wa aokute hiroi umi ga atta Subete wa kore kara hajimaru n da jibuntachi no te de sekai o tsukurinaosu n da tsurakute mo kimi to issho nara kitto norikoerareru Desert Blue Bird sore wa kiseki [mothy, Akuno-P, AkunoP]
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CHAPTER XXX UP CHAPTER XXXII CHAPTER XXXI Where the Brook and River Meet Anne had her "good" summer and enjoyed it wholeheartedly. She and Diana fairly lived outdoors, reveling in all the delights that Lover s Lane and the Dryad s Bubble and Willowmere and Victoria Island afforded. Marilla offered no objections to Anne s gypsyings. The Spencervale doctor who had come the night Minnie May had the croup met Anne at the house of a patient one afternoon early in vacation, looked her over sharply, screwed up his mouth, shook his head, and sent a message to Marilla Cuthbert by another person. It was "Keep that redheaded girl of yours in the open air all summer and don t let her read books until she gets more spring into her step." This message frightened Marilla wholesomely. She read Anne s death warrant by consumption in it unless it was scrupulously obeyed. As a result, Anne had the golden summer of her life as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart s content; and when September came she was bright-eyed and alert, with a step that would have satisfied the Spencervale doctor and a heart full of ambition and zest once more. "I feel just like studying with might and main," she declared as she brought her books down from the attic. "Oh, you good old friends, I m glad to see your honest faces once more--yes, even you, geometry. I ve had a perfectly beautiful summer, Marilla, and now I m rejoicing as a strong man to run a race, as Mr. Allan said last Sunday. Doesn t Mr. Allan preach magnificent sermons? Mrs. Lynde says he is improving every day and the first thing we know some city church will gobble him up and then we ll be left and have to turn to and break in another green preacher. But I don t see the use of meeting trouble halfway, do you, Marilla? I think it would be better just to enjoy Mr. Allan while we have him. If I were a man I think I d be a minister. They can have such an influence for good, if their theology is sound; and it must be thrilling to preach splendid sermons and stir your hearers hearts. Why can t women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn t got to that stage in Canada yet and she hoped we never would. But I don t see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I m sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I ve no doubt she could preach too with a little practice." "Yes, I believe she could," said Marilla dryly. "She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them." "Marilla," said Anne in a burst of confidence, "I want to tell you something and ask you what you think about it. It has worried me terribly--on Sunday afternoons, that is, when I think specially about such matters. I do really want to be good; and when I m with you or Mrs. Allan or Miss Stacy I want it more than ever and I want to do just what would please you and what you would approve of. But mostly when I m with Mrs. Lynde I feel desperately wicked and as if I wanted to go and do the very thing she tells me I oughtn t to do. I feel irresistibly tempted to do it. Now, what do you think is the reason I feel like that? Do you think it s because I m really bad and unregenerate?" Marilla looked dubious for a moment. Then she laughed. "If you are I guess I am too, Anne, for Rachel often has that very effect on me. I sometimes think she d have more of an influence for good, as you say yourself, if she didn t keep nagging people to do right. There should have been a special commandment against nagging. But there, I shouldn t talk so. Rachel is a good Christian woman and she means well. There isn t a kinder soul in Avonlea and she never shirks her share of work." "I m very glad you feel the same," said Anne decidedly. "It s so encouraging. I shan t worry so much over that after this. But I dare say there ll be other things to worry me. They keep coming up new all the time--things to perplex you, you know. You settle one question and there s another right after. There are so many things to be thought over and decided when you re beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It s a serious thing to grow up, isn t it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I m sure it will be my own fault if I don t. I feel it s a great responsibility because I have only the one chance. If I don t grow up right I can t go back and begin over again. I ve grown two inches this summer, Marilla. Mr. Gillis measured me at Ruby s party. I m so glad you made my new dresses longer. That dark-green one is so pretty and it was sweet of you to put on the flounce. Of course I know it wasn t really necessary, but flounces are so stylish this fall and Josie Pye has flounces on all her dresses. I know I ll be able to study better because of mine. I shall have such a comfortable feeling deep down in my mind about that flounce." "It s worth something to have that," admitted Marilla. Miss Stacy came back to Avonlea school and found all her pupils eager for work once more. Especially did the Queen s class gird up their loins for the fray, for at the end of the coming year, dimly shadowing their pathway already, loomed up that fateful thing known as "the Entrance," at the thought of which one and all felt their hearts sink into their very shoes. Suppose they did not pass! That thought was doomed to haunt Anne through the waking hours of that winter, Sunday afternoons inclusive, to the almost entire exclusion of moral and theological problems. When Anne had bad dreams she found herself staring miserably at pass lists of the Entrance exams, where Gilbert Blythe s name was blazoned at the top and in which hers did not appear at all. But it was a jolly, busy, happy swift-flying winter. Schoolwork was as interesting, class rivalry as absorbing, as of yore. New worlds of thought, feeling, and ambition, fresh, fascinating fields of unexplored knowledge seemed to be opening out before Anne s eager eyes. "Hills peeped o er hill and Alps on Alps arose." Much of all this was due to Miss Stacy s tactful, careful, broadminded guidance. She led her class to think and explore and discover for themselves and encouraged straying from the old beaten paths to a degree that quite shocked Mrs. Lynde and the school trustees, who viewed all innovations on established methods rather dubiously. Apart from her studies Anne expanded socially, for Marilla, mindful of the Spencervale doctor s dictum, no longer vetoed occasional outings. The Debating Club flourished and gave several concerts; there were one or two parties almost verging on grown-up affairs; there were sleigh drives and skating frolics galore. Betweentimes Anne grew, shooting up so rapidly that Marilla was astonished one day, when they were standing side by side, to find the girl was taller than herself. "Why, Anne, how you ve grown!" she said, almost unbelievingly. A sigh followed on the words. Marilla felt a queer regret over Anne s inches. The child she had learned to love had vanished somehow and here was this tall, serious-eyed girl of fifteen, with the thoughtful brows and the proudly poised little head, in her place. Marilla loved the girl as much as she had loved the child, but she was conscious of a queer sorrowful sense of loss. And that night, when Anne had gone to prayer meeting with Diana, Marilla sat alone in the wintry twilight and indulged in the weakness of a cry. Matthew, coming in with a lantern, caught her at it and gazed at her in such consternation that Marilla had to laugh through her tears. "I was thinking about Anne," she explained. "She s got to be such a big girl--and she ll probably be away from us next winter. I ll miss her terrible." "She ll be able to come home often," comforted Matthew, to whom Anne was as yet and always would be the little, eager girl he had brought home from Bright River on that June evening four years before. "The branch railroad will be built to Carmody by that time." "It won t be the same thing as having her here all the time," sighed Marilla gloomily, determined to enjoy her luxury of grief uncomforted. "But there--men can t understand these things!" There were other changes in Anne no less real than the physical change. For one thing, she became much quieter. Perhaps she thought all the more and dreamed as much as ever, but she certainly talked less. Marilla noticed and commented on this also. "You don t chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" Anne colored and laughed a little, as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don t know--I don t want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It s nicer to think dear, pretty thoughts and keep them in one s heart, like treasures. I don t like to have them laughed at or wondered over. And somehow I don t want to use big words any more. It s almost a pity, isn t it, now that I m really growing big enough to say them if I did want to. It s fun to be almost grown up in some ways, but it s not the kind of fun I expected, Marilla. There s so much to learn and do and think that there isn t time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I ve got used to it now and I see it s so much better." "What has become of your story club? I haven t heard you speak of it for a long time." "The story club isn t in existence any longer. We hadn t time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won t let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You ve only two more months before the Entrance," said Marilla. "Do you think you ll be able to get through?" Anne shivered. "I don t know. Sometimes I think I ll be all right--and then I get horribly afraid. We ve studied hard and Miss Stacy has drilled us thoroughly, but we mayn t get through for all that. We ve each got a stumbling block. Mine is geometry of course, and Jane s is Latin, and Ruby and Charlie s is algebra, and Josie s is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we ll have at the Entrance and mark us just as strictly, so we ll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I ll do if I don t pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don t believe I d have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I m likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. CHAPTER XXX UP CHAPTER XXXII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 17 59 (Tue)
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ゲーム情報（登録されているタグ） アワード＞２００８ シリーズ＞Hidden Expedition ジャンル＞アイテム探し ジャンル＞パズル 製作会社＞Big Fish Games 製作会社＞未確認 言語＞英語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/3483/hidden-expedition-amazon-game/index.html 日本語 紹介文 WINNER! Best Adventure Game of 2008! Big Fish Games Studios takes you on an Adventure into the stunning world of the Amazon with the Hidden Expedition team in search of a missing professor. A tattered map referencing the legendary Beetle Temple is your only clue as you begin your adventure deep into the Amazon Rainforest. Explore cities, temples, and ruins while unlocking the secrets of an ancient yet advanced civilization. This adventure is the largest yet for the Hidden Expedition team, and the discovery of the Beetle Temple is just the beginning. Unlock the greatest secret of the Amazon More scenes, puzzles and adventure Intricately woven mini-games Get the Strategy Guide Get help at our Forums 画像 « » var ppvArray_0_aa430cd40a952e66bab7d6ea9539f898 = new Array(); ppvArray_0_aa430cd40a952e66bab7d6ea9539f898[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Hidden+Expedition%3A+Amazon+%E2%84%A2&file=en_hidden-expedition-amazon-game-screen1.jpg ; window.onload=function(){ ppvShow_0_aa430cd40a952e66bab7d6ea9539f898(0); }; function ppvShow_0_aa430cd40a952e66bab7d6ea9539f898(n){ if(!ppvArray_0_aa430cd40a952e66bab7d6ea9539f898[n]){ alert( 画像がありません ); return; } ppv_0_aa430cd40a952e66bab7d6ea9539f898$( ppv_img_0_aa430cd40a952e66bab7d6ea9539f898 ).src=ppvArray_0_aa430cd40a952e66bab7d6ea9539f898[n]; ppv_0_aa430cd40a952e66bab7d6ea9539f898$( ppv_link_0_aa430cd40a952e66bab7d6ea9539f898 ).href=ppvArray_0_aa430cd40a952e66bab7d6ea9539f898[n]; ppv_0_aa430cd40a952e66bab7d6ea9539f898$( ppv_prev_0_aa430cd40a952e66bab7d6ea9539f898 ).href= javascript ppvShow_0_aa430cd40a952e66bab7d6ea9539f898( +(n-1)+ ) ; ppv_0_aa430cd40a952e66bab7d6ea9539f898$( ppv_next_0_aa430cd40a952e66bab7d6ea9539f898 ).href= javascript ppvShow_0_aa430cd40a952e66bab7d6ea9539f898( +(n+1)+ ) ; } function ppv_0_aa430cd40a952e66bab7d6ea9539f898$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } 備考 レス一覧 962 名前： 名無しさんの野望 [sage] 投稿日： 2010/11/28(日) 10 20 30 ID qt5SVTHj 無理して買うなよ～ｗ 以前やった秘宝探索：魔のトライアングルが面白かったので、 Hidden Expeditionの旧作EverestとAmazonをus$2.99で買おうと思ったけど、 今からやるには絵のクオリティがちょっときつかった。 ということで 954さんが挙げていたEnlightenusを買った。 物を探すんじゃなくて物を納める場所を探すのが新鮮。 ……ILOVEGAMESコードを適用したのに、注文終了画面では何故かus$6.99で決済された。 937 名前： 名無しさんの野望 [sage] 投稿日： 2011/02/22(火) 02 15 09.23 ID IxPRrx61 安いときに買ったまま積みゲーになってたHidden Expedition Amazonを やってみた。ちょっと古いし期待せずに始めてみたら、しょっぱなから アイテムが見難くて購入を後悔したｗ けど目が慣れたのか次のシーンから気にならなくなって、意外と面白い。 アイテム名をクリックしたらヒントを消費せずにシルエットが出るシステム だから分からない英単語でも調べなくてもいける。 合間にパズルもあるけどがっつりアイテム探し、インディージョンズ 見たいなハリウッドっぽい雰囲気で音楽がかなり良く気分が盛り上がる。 骸骨や骨は少し出てくるけどグロくはないと思う。けど昆虫の神殿を 探すのが目的だし虫はずｔっと出てくるから苦手な人は注意。 アドベンチャーとアイテム探しが一緒になってるゲームは、 アイテム探しがだんだん面倒になって作業みたいに感じられる けど、アイテム探しだけのゲームでも案外飽きないもんだね。 マダムフェイトも面白かったし、しっかりした作りの アイテム探しってやっぱり面白いんだと感心して独り語り。 コメント コメント すべてのコメントを見る トップページに戻る
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O.C.U.編 Tutorial Mission01｜Mission02｜Mission03｜Mission04｜Mission05｜Mission06｜Mission07｜Mission08｜Mission09｜Mission10｜Mission11｜Mission12｜Mission13｜Mission14｜Mission15｜Mission16｜Mission17｜Mission18｜Mission19｜Mission20｜Mission21｜Mission22｜Mission23｜Mission24｜Mission25｜Mission26｜Mission27｜Mission28｜Mission29｜Mission30 Ex.Mission01｜Ex.Mission02｜Ex.Mission03｜Ex.Mission04 インターミッション Mission07｜マップ｜入手アイテム｜味方｜敵 インターミッション 移動可能地域 バリンデン｜ニューミルガン｜メナサ｜グレイロック Mission07 クリア条件 全敵の撃破 ゲームオーバー ロイドの撃破 作戦の報酬 H$5000｜H$2000 最大出撃数 9 出撃可能パイロット 必ず出撃 Roid 選択出撃 Sakata / Natalie / Keith / J.J. / Frederick / Yang / Paul / Alder ミッションクリア後、次のMission08に直行できるが、一度町へ戻って機体整備をした方がいい マップ 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 進入不可 0％ － － － － 草地（雨） 8％ 3 2 3 2 森林（雨） 20％ 4 2 3 3 地形 名称 地形効果 ノーマル ホバー タンク タイヤ 土（雨） 8％ 3 2 3 2 コンクリート（雨） 10％ 3 2 3 2 地獄の壁の機体はフロストシリーズのため、非常に硬いユニットとなる 左上に「地獄の壁の格闘型ユニット2体とミサイラー2体」、右上に「地獄の壁の近距離型ユニット2体とミサイラー2体」、右下に「地獄の壁の遠距離型ユニット2体と ミサイラー2体」が配置されている 右上の近距離型ユニットはこちらから接近しない限り動かないので、序盤は接近しないようにする 左上と右下に戦力を配分して戦う左上の部隊への対策左側にある鉄塔の左上にユニット1体分の隙間しかない地形（森林（雨））があるので、そこに防御力の高い味方ユニットを配置して壁役にする（壁役はリペアで回復、パーツを破壊されたら他の壁役と交代し補給車でパーツを回復） 後ろから遠距離で攻撃する 右下の部隊への対策接近してくる敵ユニットに対して遠距離で攻撃する 上へ 入手アイテム WEAPON Shoulder EGRET 1 敵5撃破 PARTS Arm L FROST 1 敵3撃破 Legs GALVO SV 1 敵10撃破 ITEM Item Repair S 1 敵1撃破 上へ 味方 No. PILOT MACHINE WEAPON ITEM 修理費用 Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Roid Shrike － 2 3 4 5 6 7 8 9 10 Peewie Supply Car 210 －－－ 416 -Large Unit-（No Parts） PAP-55 － 1-1 －－－ －－－ 14 －－－ 上へ 敵 No. PILOT MACHINE WEAPON 敵撃破ボ｜ナス Name Level Skill Name HP Body Body Bullet Range State Fight Exp. Fight L. Arm L. Grip Short Short R. Arm R. Grip Long Long Leg L. Shoulder Agility Agility Move R. Shoulder 1 Grieg 12 Switch Lv1－－－－－－－－－－－－ FROST 108 －－－ 515 12 800 60 EMPIRE － 1-1 12 1000 60 IBIS － 1-1 10 500 72 －－－ 12 800 14 －－－ 2 Josh 6 －－－－－－－－－－－－－－－ FROST 108 －－－ 515 11 622 60 F-2 TONFA － 1-1 9 250 60 F-3 HAND ROD － 1-1 9 50 72 －－－ 11 600 14 －－－ 3 Ghetta 5 －－－－－－－－－－－－－－－ FROST 108 －－－ 515 11 600 60 F-3 HAND ROD － 1-1 10 300 60 F-2 TONFA － 1-1 9 120 72 －－－ 9 200 14 －－－ 4 Rebus 7 －－－－－－－－－－－－－－－ FROST 108 －－－ 515 11 650 60 FROST PUNCH － 1-1 11 600 60 FROST PUNCH － 1-1 10 300 72 EGRET 3 3-6 9 120 14 GOLDIAS 2 3-6 5 Milligan 5 －－－－－－－－－－－－－－－ FROST 108 －－－ 515 9 250 60 FROST PUNCH － 1-1 10 300 60 FROST PUNCH － 1-1 10 400 72 EGRET 3 3-6 10 300 14 EGRET 3 3-6 6 Dave 7 －－－－－－－－－－－－－－－ FROST 108 －－－ 515 11 700 60 IBIS － 1-1 12 900 60 EMPIRE － 1-1 9 100 72 －－－ 9 150 14 －－－ 7 Missileer 6 －－－－－－－－－－－－－－－ GALVO SV 48 －－－ 320 9 180 36 GALVO SV PUNCH － 1-1 10 380 36 GALVO SV PUNCH － 1-1 11 590 36 GALVADOS 3 3-5 10 350 15 －－－ 8 Missileer 6 －－－－－－－－－－－－－－－ GALVO SV 48 －－－ 320 9 180 36 GALVO SV PUNCH － 1-1 10 380 36 GALVO SV PUNCH － 1-1 11 590 36 GALVADOS 3 3-5 10 350 15 －－－ 9 Missileer 6 －－－－－－－－－－－－－－－ GALVO SV 48 －－－ 320 9 180 36 GALVO SV PUNCH － 1-1 10 380 36 GALVO SV PUNCH － 1-1 11 590 36 GALVADOS 3 3-5 10 350 15 －－－ 10 Missileer 6 －－－－－－－－－－－－－－－ GALVO SV 48 －－－ 320 9 180 36 GALVO SV PUNCH － 1-1 10 380 36 GALVO SV PUNCH － 1-1 11 590 36 GALVADOS 3 3-5 10 350 15 －－－ 11 Missileer 6 －－－－－－－－－－－－－－－ GALVO SV 48 －－－ 320 9 180 36 GALVO SV PUNCH － 1-1 10 380 36 GALVO SV PUNCH － 1-1 11 590 36 GALVADOS 3 3-5 10 350 15 －－－ 12 Missileer 6 －－－－－－－－－－－－－－－ GALVO SV 48 －－－ 320 9 180 36 GALVO SV PUNCH － 1-1 10 380 36 GALVO SV PUNCH － 1-1 11 590 36 GALVADOS 3 3-5 10 350 15 －－－ 上へ
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【登録タグ COOL＆CREATE COOL＆CREATE 東方ボーカルコレクションII スーパーあまねりお S あまね 人恋し神様 ～ Romantic Fall 曲 稲田姫様に叱られるから】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; 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beatmaniaIIDX 30 RESIDENT 曲名 ジャンル アーティスト デフォルト曲 No Border TRANCE BEMANI Sound Team "dj TAKA" feat.Sana B.O.D.Y. HARD BODY MUSIC BEMANI Sound Team "L.E.D. Sota F." Starbitz Peng-Ging Sky High!! HARD ELECTRIC POP moimoi + BEMANI Sound Team "S-C-U" LADS HYBRID FOLK BEMANI Sound Team "PON" 雨のちパノラマセカイ SUNNY SKY BEMANI Sound Team "劇団レコード" feat.NU-KO 儚キ戀ノ幻想譚 和風歌謡硬核音楽 まろん feat. あやぽんず＊(森羅万象) 響花水月 HEROIC DRUM BASS xi feat. Risa Yuzuki Ruler or Loser DRUM BASS Maozon feat. Nadia C-C-C-N-N-N ELECTRONICORE RoughSkreamZ feat. Aikapin GET UP AGAIN COMPETITIVE ROCKSTEP Zekk feat. くらべ Seraph UNSUNG SHADOWS satella feat.棗いつき Shadow World STYLISH CONTEMPORARY BEMANI Sound Team "HuΣeR × 猫叉Master" feat.Emi Evans CUE CUE RESCUE EMERGENCY CORE TORIENA きゅんです。 ROCK Pizuya's Cell 月と夢の跡 ft. マナ J METAL×DANCE POP Xceon wanna be a BAD GIRL feat. Nana Takahashi FUNK POP Nhato 湘南ロンリーMIDNIGHT RAIN 歌謡ニューウェーブ Nana Takahashi BEMANI Sound Team "T.Kakuta" Luna Plena MELODIC J-ROCK アオワイファイ 真夜中のバベル HOUSE Len 版権曲・カバー曲(IIDX EDITION) (外部リンク先 UtaTen・Uta-Net) いつかオトナになれるといいね。 J-POP ツユ おとせサンダー J-ROCK ぼっちぼろまる 生きるよすが J-POP 月詠み EZ DO DANCE IIDX EDITION Remixed by kors k 新時代 IIDX EDITION Remixed by Nhato feat. 花たん 神っぽいな IIDX EDITION Remixed by uno(IOSYS) NUE feat. Chiyoko KING IIDX EDITION Remixed by SOUND HOLIC feat. はるの マツケンサンバII IIDX EDITION Remixed by Ryu☆ feat. BEMANI Sound Team "ショッチョー" イオシスコーラス隊 イベント解禁曲 (サントラでは「31 EPOLIS」に収録) あるビー！ feat.ころねぽち【未作成】 ピコピコ電波ソング ヒゲドライバー Peaktime Booster【未作成】 RAPCORE らっぷびと Prod.by RoughSketch NUE 楽園追放【未作成】 ALTERNATIVE 中山真斗 feat. CHAN ちょえちょえまぎか【未作成】 ROCK Pizuya's Cell STRAIGHT TO THE STARS【未作成】 COLOUR BASS BREAKS BEMANI Sound Team "Expander" feat. Starbitz ■□模様【未作成】 ALTERNATIVE SHIBUYA E-POP BEMANI Sound Team "PHQUASE" feat.紫崎 雪 ぞうしょく！？マイデンティティ【未作成】 バーチャルマルチコア DJ SHARPNEL feat.みらい Dreaming Dream【未作成】 DANCE POP MK feat. 紫咲ほたる 異心前進♪ぴょんぴょんぴょん EUROBEAT 天土 FLARE -炎舞- ft.Nana Takahashi【未作成】 BPL S3 THEME BEMANI Sound Team "dj TAKA" Vs SOUND HOLIC パーフェクトイーター【未作成】 ROCK BEMANI Sound Team "PON" feat.かなたん mathematical good-bye【未作成】 ハードコア 三代目 ADULTIC TEACHERS feat. BEMANI Sound Team "スコーピオン志村" 恋愛＝精度×認識力【未作成】 HARDCORE×ソフラン×変拍子×萌え 立秋 vs. BEMANI Sound Team "L.E.D.-G" feat.ちょこ＆ななひら チェイスチェイスジョーカーズのうた (オニスタイルリミックス)【未作成】 ウラシュダイカ ちよこ 一ノ瀬 月琉 Prod. by RoughSketch NUE
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KENTY-GROSSをお気に入りに追加 KENTY-GROSSのリンク #bf Amazon.co.jp ウィジェット KENTY-GROSSの報道 【ビルボード】シルク・ソニックがDLアルバム制す、YOASOBI／三代目JSBがトップ3デビュー（Billboard JAPAN） - Yahoo!ニュース - Yahoo!ニュース ダンスホールレゲエ・シーンのトップランナー、RED SPIDERが11月17日にCDアルバム『変エルノ詩』をリリースした。 - PR TIMES RED SPIDER, APOLLO, KENTY GROSS & NATURAL WEAPON、「変エルノ詩」を配信開始｜THE MAGAZINE - THE MAGAZINE RED SPIDER、「麻の中の蓬 (feat. MINMI, 三木道三, APOLLO, KIRA, KENTY GROSS, BES & NATURAL WEAPON)」を配信開始 - THE MAGAZINE 【大阪 泉南】音楽フェス「MUSIC CIRCUS‘21」延期開花火大会「泉州夢花火」は中止が決定。 - PR TIMES DJcityとGENRE BNDRによるオンラインフェスが大阪・東京で。DJ B=BALL、RED SPIDER、DJ RYOW、Mighty Crownら20組を超える豪華DJが参加 - EYESCREAM KENTY GROSS、「ほんまに言うてんの? 2020 (WE HATE CORONA Mar-D Remix)」を配信開始 - THE MAGAZINE RED SPIDER、KENTY GROSS、NATURAL WEAPON、APOLLO所属のレゲエ・レーベル「カエルスタジオ」の創業者、アサオ氏が逝去。DOZAN11（ex-三木道三）らがSNSでコメント - TOWER RECORDS ONLINE - TOWER RECORDS ONLINE ビーチで開催する日本最大規模のハロウィンパーティー『MUSIC CIRCUS‘16』10月9日（日）に大阪が誇るレゲエディージェイ、KENTY GROSS、BES、APOLLOの3組が出演決定！ - PR TIMES RED SPIDER、代表曲+新曲構成の“ほぼほぼ”ベストリリース - ナタリー KENTY GROSS、鬼キャッチーな表題曲やBES & APOLLO参加曲などマジメなレゲエ愛とブリブリなテンション詰め込んだ新作 - Mikiki KENTY-GROSSとは KENTY-GROSSの47%はマイナスイオンで出来ています。KENTY-GROSSの38%は知恵で出来ています。KENTY-GROSSの13%は祝福で出来ています。KENTY-GROSSの1%は希望で出来ています。KENTY-GROSSの1%は保存料で出来ています。 KENTY-GROSS＠ウィキペディア KENTY-GROSS Amazon.co.jp ウィジェット 掲示板 名前（ＨＮ） カキコミ すべてのコメントを見る ページ先頭へ KENTY-GROSS このページについて このページはKENTY-GROSSのインターネット上の情報を集めたリンク集のようなものです。ブックマークしておけば、日々更新されるKENTY-GROSSに関連する最新情報にアクセスすることができます。 情報収集はプログラムで行っているため、名前が同じであるが異なるカテゴリーの情報が掲載される場合があります。ご了承ください。 リンク先の内容を保証するものではありません。ご自身の責任でクリックしてください。
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開発環境 Microsoft Visual Studio Community 2017 実行環境 Microsoft Windows 10 Home (64bit) プロジェクトの種類 Visual C++ / 空のプロジェクト プロジェクト名 dscaps 参考 デバイス オブジェクトの作成 dscaps.cpp // マルチバイト文字セット #pragma comment(lib, "dsound") #include dsound.h #include stdio.h #define CHECK(hres) if (FAILED(hres)) { return 1; } #define PRINT(flag, name) printf("[%c] " #name "\n", (flag name) ? o - ) int main() { HRESULT hr; hr = CoInitialize(NULL); CHECK(hr); LPDIRECTSOUND8 lpds; hr = DirectSoundCreate8(NULL, lpds, NULL); CHECK(hr); DWORD cert; hr = lpds- VerifyCertification( cert); CHECK(hr); printf("DirectX認証\n"); PRINT(cert, DS_CERTIFIED); PRINT(cert, DS_UNCERTIFIED); DSCAPS dsc; dsc.dwSize = sizeof DSCAPS; hr = lpds- GetCaps( dsc); CHECK(hr); printf("\nデバイス能力\n"); printf("dwFlags=[%08x]\n", dsc.dwFlags); DWORD flag = dsc.dwFlags; PRINT(flag, DSCAPS_CERTIFIED); PRINT(flag, DSCAPS_CONTINUOUSRATE); PRINT(flag, DSCAPS_EMULDRIVER); PRINT(flag, DSCAPS_PRIMARY16BIT); PRINT(flag, DSCAPS_PRIMARY8BIT); PRINT(flag, DSCAPS_PRIMARYMONO); PRINT(flag, DSCAPS_PRIMARYSTEREO); PRINT(flag, DSCAPS_SECONDARY16BIT); PRINT(flag, DSCAPS_SECONDARY8BIT); PRINT(flag, DSCAPS_SECONDARYMONO); PRINT(flag, DSCAPS_SECONDARYSTEREO); printf("dwMinSecondarySampleRate=[%u]\n", dsc.dwMinSecondarySampleRate); printf("dwMaxSecondarySampleRate=[%u]\n", dsc.dwMaxSecondarySampleRate); CoUninitialize(); return 0; } 出力 DirectX認証 [-] DS_CERTIFIED [o] DS_UNCERTIFIED デバイス能力 dwFlags=[00000f1f] [-] DSCAPS_CERTIFIED [o] DSCAPS_CONTINUOUSRATE [-] DSCAPS_EMULDRIVER [o] DSCAPS_PRIMARY16BIT [o] DSCAPS_PRIMARY8BIT [o] DSCAPS_PRIMARYMONO [o] DSCAPS_PRIMARYSTEREO [o] DSCAPS_SECONDARY16BIT [o] DSCAPS_SECONDARY8BIT [o] DSCAPS_SECONDARYMONO [o] DSCAPS_SECONDARYSTEREO dwMinSecondarySampleRate=[100] dwMaxSecondarySampleRate=[200000]